Drew Connor Holland
applause from a bell tower
2 – 18 December 2022


Works
Exhibitions
Installation views
Press release






Drew Connor Holland
One face from anthropoid sarcophagus (blue man with sharpened teeth), 2017-2022
synthetic polymer, marble dust, pigment, chalk, and charcoal on the reverse of Yeah
Together Together Yeah
(Drew Connor Holland, 2017)
57 x 42 cm; 22 1/2 x 16 1/2 in

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Drew Connor Holland
Two figures (yellow, teal), 2022
synthetic polymer, marble dust, pigment, chalk, and charcoal on handmade paper:
perforated paper negatives left over from the production of remembrance
poppies
(Cornelia Parker, War Room, 2019), monotype prints, and watercolour paintings
(Drew Connor Holland, 2013-15), works on paper (Flin Sharp, 2016-19), rag
paper, tissues, Christmas Cards, shredded medical documents, room sheets, posters,
packaging, diary pages, condom, human hair
121 x 89 cm; 47 5/8 x 35 in







Drew Connor Holland
Fragment of three figures, 2022
synthetic polymer, marble dust, pigment, chalk, charcoal, model paint on handmade
paper: Archived newspaper clippings (1944-46), coloured cartridge paper, perforated
paper negatives left over from the production of remembrance poppies (Cornelia Parker,
War Room, 2019), monotype prints, watercolour paintings (Drew Connor Holland, 2013-15),
works on paper (Flin Sharp, 2016-19), rag paper, tissues, Christmas Cards, shredded
medical documents, room sheets, posters, packaging, diary pages, human hair
121 x 89 cm; 47 5/8 x 35 in







Drew Connor Holland
Lavender figure with Geryon and Icarus, 2022
synthetic polymer, marble dust, pigment on handmade paper: Archived newspaper
clippings (1944-46), coloured cartridge paper, perforated paper negatives left over
from the production of remembrance poppies (Cornelia Parker, War Room, 2019),
monotype prints, watercolour paintings (Drew Connor Holland, 2013-15), works on
paper (Flin Sharp, 2016-19), rag paper, tissues, Christmas Cards, shredded medical
documents, room sheets, posters, packaging, diary pages, human hair
121 x 89 cm; 47 5/8 x 35 in








Drew Connor Holland
Four figures falling and landing, 2022
Synthetic polymer, marble dust, pigment on handmade paper: Archived newspaper
clippings (1944-46), coloured cartridge paper, perforated paper negatives left over
from the production of remembrance poppies (Cornelia Parker, War Room, 2019),
monotype prints, watercolour paintings (Drew Connor Holland, 2013-15), works on
paper (Flin Sharp, 2016-19), rag paper tissues, Christmas Cards, shredded medical
documents, room sheets, posters, packaging, diary pages, human hair
121 x 89 cm; 47 5/8 x 35 in







Drew Connor Holland
four figures (lavender, jade), 2022
synthetic polymer, marble dust, pigment, chalk, and charcoal on handmade paper:
Perforated paper negatives left over from the production of remembrance poppies
(Cornelia Parker, War Room, 2019), monotype prints, watercolour paintings
(Drew Connor Holland, 2013-15), works on paper (Flin Sharp, 2016-19), rag paper,
tissues, Christmas Cards, shredded medical documents, room sheets, posters,
packaging, diary pages, human hair
121 x 89 cm; 47 5/8 x 35 in







Drew Connor Holland
five figures (The head of a lover is torn from the body of a man), 2022
synthetic polymer, marble dust, pigment, chalk, and charcoal on handmade paper:
Perforated paper negatives left over from the production of remembrance poppies
(Cornelia Parker, War Room, 2019), monotype prints, watercolour paintings
(Drew Connor Holland, 2013-15), works on paper (Flin Sharp, 2016-19), rag paper,
tissues, Christmas Cards, shredded medical documents, room sheets, posters,
packaging, diary pages, human hair
121 x 89 cm; 47 5/8 x 35 in







Drew Connor Holland
Study for the Kingdom of Heaven, 2020-2022
pigment, synthetic polymer, marble dust on German Birch panel
20 x 15 cm; 7 7/8 x 5 7/8 in






Drew Connor Holland
Mary with a flower from an Angel, 2022
pigment, synthetic polymer, and marble dust on German Birch panel
20 x 15 cm; 7 7/8 x 5 7/8 in







Drew Connor Holland
(The body is a blade that sharpens by cutting), 2018-19
marble dust, synthetic polymer, and laserjet pigment on birch panel
20 x 15 cm; 7 7/8 x 5 15/16 in







Drew Connor Holland
Portrait (visible damage), 2022
oil, synthetic polymer, marble dust, pigment, chalk, char-coal on canvas
50 x 40 cm; 19 3/4 x 13 3/4 in







Drew Connor Holland
fragment of portrait with missing teeth, 2022
Oil, synthetic polymer, marble dust, pigment, chalk, charcoal on canvas
34.5 x 29 cm; 13 5/8 x 11 3/8 in







Drew Connor Holland
One face from anthropoid sarcophagus (two missing teeth), 2016-2022
oil, synthetic polymer, marble dust, pigment, chalk, charcoal on linen offcut
65 x 49.5 cm; 25 5/8 x 19 1/2 in






Drew Connor Holland
Portrait study, 2022
Ink pencil, synthetic polymer, marble dust on unstretched canvas
67.5 x 52 cm; 26 5/8 x 20 1/2 in







Drew Connor Holland
Nadir (self-portrait), 2020-2022
Ink pencil, synthetic polymer, marble dust on paper
42 x 29.5 cm; 16 1/2 x 11 5/8 in







Drew Connor Holland
Figure (Philipp Plein tee), 2022
Ink pencil, synthetic polymer, marble dust on paper
50 x 35 cm; 19 3/4 x 13 3/4 in